By Melissa Parkin
Conserve your
oxygen, because here at Look to the Cookie, we’re revealing some
under-the-radar thrillers that will leave you breathless. These three movies
play within the boundaries of the genre, while distinctively carving out its
own little corner to give viewers a unique and rousing experience.
Snowpiercer
(2014)

The idea is
seemingly high-concept, but as this story progresses, the complexity of this
dystopian world reveals a far more extraordinary plot. Directed and co-written
by Korean filmmaker Bong Joon-ho, this poignant science fiction thriller
masquerades as a high-octane action movie, but the originality and execution of
the story make Snowpiercer one of the
best films in recent memory. The brutal fight sequences have a rather glossy
comic-book ambiance, but the applied grit and realism reinforce the severity of
each blow. Symbolism and allegory play a prominent role as well, further adding
to the film’s brilliance from a genre otherwise plagued in clichés. With an
unpredictable story, stunning visuals, an eclectic cast, and relentless
gumption, Snowpiercer can easily be
deemed as the most exceptional and vastly overlooked film of the 21st
century.
Perfect for
fans of: The Host (2006) (also directed by Bong Joon-ho) and
Danny Boyle’s Sunshine.
Stoker
(2013)

There’s a
reason why Ben Affleck, Matt Damon, Peter Berg and Sylvester Stallone redefined
their careers writing screenplays. If the talent is truly there, something very
beautiful happens when an actor sits behind a typewriter. Some do this from a
place of frustration because they wish to showcase their talents by creating a
character they themselves will portray, but others do it simply out of the love
of storytelling. Stoker is definitely
the byproduct of the latter, as actor Wentworth Miller (Prison Break) wrote this hauntingly off-kilter screenplay under the pen-name Ted Foulke to allow his writing to speak for itself. And what
beautifully twisted things it has to say. Miller’s acting credentials
definitely helped shape this script, as he masterfully substitutes clunky
exposition for subtle actions to convey his characters’ back stories. As the
old saying goes, “Showing is often more effective than telling.” This articulate
touch is only further complimented by the lavish visuals of director Park
Chan-wook. Stoker’s gothic elements tease
with the boundaries of works like Rebecca,
paying subtle homage to the likes of Hitchcock; each actor radiates an
unsettling sophistication. Matthew Goode, in particular, exhibits an old-school
Gatsby-esque quality rarely put to film anymore, and that allure makes the sinister
and aggressive aspects all the more disquieting. As Chan-wook’s English debut,
he showcases his talents in glorious fashion by way of unbearable tension and
stylish scenery.
Perfect for
fans of: The Gift and Hard Candy
Ravenous (1999)

Blending Native
American mythology with the terrors of the infamous Donner Party, director Antonia
Bird and screenwriter Ted Griffin deliver one of the most unique, eloquently
layered films to emerge from the genre. This delightfully wicked 19th
century tale is anything but categorical and has thus gained a cult following. Ravenous continuously shifts genres by
initially playing as a western before descending into horror, dark comedy, and suspense,
before eventually becoming a chamber piece, all the while remaining true to its
ultimate message concerning Manifest Destiny. Though the story is compelling on
its own, the mastery of Ravenous
cannot be achieved without its stellar, colorful cast of character actors. Guy
Pearce takes the helm as the straight-laced member of this crew, leaving
everyone else the liberty to experiment with their roles. The typically quirky
Jeremy Davies delivers another charming performance as the childlike and mildly
squirrelly preacher Toffler. Neil McDonough shines as the steely eyed psychotic
Private Reich. David Arquette hams it up as the endearing, peyote-smoking Private
Cleaves. The real scene-stealer of Ravenous
is inarguably Robert Carlyle’s all-inclusive turn as F.W. Colqhoun. For those
brave enough to watch this fun and bloody gem, prepare for some dark laughs and
cringe-inducing kills. As the tagline says, “You are who you eat.”
Honestly, there
isn’t another film quite like it to compare, but if you enjoyed Cabin Fever and 2010’s The Burrowers, chances are you’ll
happily devour Ravenous.
Visit the site often for more great underrated films.
0 comments:
Post a Comment