For me, Suzanne Collins’ dystopian trilogy The Hunger Games ended with
disappointment. The first two novels provided a satisfying mix of corrupt
oppression, heroic defiance, and of course, a YA romance. The action-packed Hunger Games themselves drove the
action of the books. But the third book, Mockingjay,
lost the story-line thrill. Mockingjay
focused entirely on a full-blown war against a futuristic government. The Games
get left behind as a more serious political movement dominated the plot. The
ever-increasing war-based violence only confused me, as I lost track of which
characters died, which ones were enemies, and which ones swapped loyalties.
With no room for romance in the novel, and a seemingly never-ending battle story,
my emotional investment vanished. Relief only came once I reached the
end—simply because it was finally over.
I did not expect Mockingjay’s movie adaption to impress,
unless, of course, it deviated considerably from the book. In fact, I hoped it
would. Not to mention the commercial irritation of splitting the already dull
story into two separate films. But after two-part Harry Potter, Twilight, and even The Hobbit installments, the news of a splitting of the Hunger Games did not come as a shock. So
I braced myself for what I imagined would be a cringe-worthy movie. Yet, Mockingjay Part 1 delivered with surprising fulfillment. It drew emotional
appeal and sufficient thrill of action, and dispensed poignant and fervent acting.
Even more surprisingly, it followed Collins’ book almost impeccably.
The movie picked up right where Catching Fire left off. A traumatized Katniss
Everdeen (Jennifer Lawrence) remained trapped and buried deep under the
militarized barracks and bunkers of a previously “non-existent” District 13.
Under strict control of the steely President Coin (Julianne Moore), and the
clever but weary Plutarch Heavensbee (Philip Seymour Hoffman), Katniss
initially resists but eventually assumed a role as the face of the new
rebellion. The rebellion leaders forced Katniss to act as their propaganda
vehicle—a constant theme of the movie. Both the sinister President Snow (Donald
Sutherland), with his governing Capitol and the District 13 rebels, fight not
only a militaristic war, but one of public façade and manipulation in order to
sway opinions. Of course, Katniss fumbled at first with this campaigning act of
revolution. But once placed out in the battlefield, amidst the devastation
caused by the Capitol, she successfully launched into a stirring fit of
anger—in my opinion, Jennifer Lawrence’s best performance of the movie.
Peeta Mellark, (Josh Hutcherson),
one of Katniss’s love interests, remained held prisoner by the Capitol, and
also thrown into the media battle. Forced to appear onscreen, to deter Katniss
and the rebels in their advancements, he caused recurring conflict for Katniss,
as she battled between choosing her love for him and her passion for the resistance.
Meanwhile, the fiery Gale Hawthorne (Liam Hemsworth) seized notable attention
for the first time in the series (usually Peeta dominates the leading male
role). Training and militarization suited him well; he emanated authority and
respect in every scene. Despite showing jealousy and sourness towards Peeta in
previous movies (his competitor for Katniss’ affection), here Gale assumed a
much more mature position as a rebel leader. He even volunteered first
to participate in Peeta’s rescue mission.
Admittedly, much of the movie
surged through intense warfare and bombing scenes (like the book). However,
these battle sequences worked effectively for the movie. Many scenes showed the
other districts of Panem (a futuristic renaming of North America), fighting
back against the government. The spark of Katniss’s revolution “caught fire,” and
while these scenes may have been a little exaggerated and repetitive—probably
to simply extend the time of Part 1—they nevertheless fastened feelings of
fierce pride and sympathy for the revolutionary cause.
Finally, the movie culminated with
Peeta’s rescue mission from the Capitol. Peeta’s condition worsened physically with
every appearance—directly affecting Katniss’s mental stability. District 13
leaders finally realized his well-being acted as the greatest weapon against
Katniss, and the rebellion, since Katniss’s love and worry for him influenced
her actions on the battlefield. After a terrifyingly suspenseful scene of the
rescue, where it seemed Katniss lost both
Peeta and Gale, the two finally made it back to District 13 unharmed. However,
Gale warned Katniss that President Snow could easily have killed them, but
instead let their rescue team go freely. The reason for this became clear,
however, once Katniss reunited with Peeta for the first time. Peeta attacked
Katniss with a ferocity never before associated with his gentle character,
nearly choking her to death. The movie ended with Katniss’s horrific
realization that the Capitol did more than just torture Peeta. They rewired his
brain and memories in order to pit him against her with a murderous hatred. The
final scene showed him strapped to a hospital bed, with his face taut from
unrelenting screams.
The movie exceeded my expectations
overwhelmingly. Could the battle scenes be a bit tighter? Probably. Would the
movie be better as a single installment, rather than a clumsy half-slice?
Definitely. But even with these drawbacks, Mockingjay
Part 1 reigns as the best of The Hunger
Games movie trilogy so far.
I didn't see the movie because I was disappointed with the book.
ReplyDeleteMaybe it's worth a look now.