by Germar Derron
When I’m in the studio--producing,
tracking, mixing, designing or listening to new tracks--all I think of is
polish. I need sound to be
polished. Polished could mean shined,
smoothed, rounded, refined, sophisticated, skilled, elegant, or completed. Often, when I think of polished, it’s a
feeling that a person has “been there, done that.” Other times it’s that “sheen”
you get in mastering when bumping and compressing the higher frequencies. In a word, this album is “polished.”
I’d never heard of Jelani Lateef
before, but he sounds like someone who’s been there, done that. He spits. There’s no awkwardness, or hesitation in his
flow throughout the “LP.” That’s
rare. Even when I listen to Eminem’s
first major label release, I clearly hear him behind the beat and struggling to
catch up. On My Soul to Keep 2, I hear confidence and an easy delivery.
My guess is that Lateef is a fan
of 90s rap. Is that a good thing or a bad
thing? Maybe it’s a bit of both. I can’t quite call it. But, I think all “ol’ skool” heads would be a
fan. (weird that the 90s is old school now right?) Of course part of me (and
you), feels the nostalgia in the record.
We’re instantly transported back to a better time – better because our
past always seems to be the good old days. On the flip side, the sound could be called dated and out-of-touch. It’s nothing like Drake, Wayne, or
Kendrick. But I feel that
hardcore fans would consider this true hip-hop.
The production is polished,
regardless of the producer. I won’t say
that I like every track, but I respect every track. We don’t use the term “art” enough when
describing or discussing urban music; that term is appropriate here.
I will definitely add a couple of
tracks to my library: “Forward Advance” (the video is hot) and “Had It All.” I struggle to rate the album because I feel
one way about the obvious talent and another way about how it fits in my
rotation. I’ll give it 3.5 out of 5 stars.
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